{"version":"1.0","provider_name":"Fundaci\u00f3 MACBA","provider_url":"https:\/\/fundaciomacba.es\/en\/","author_name":"mortensen","author_url":"https:\/\/fundaciomacba.es\/en\/author\/mortensen\/","title":"So Different...and Yet, 1980 - Fundaci\u00f3 MACBA","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"s31zf3gzax\"><a href=\"https:\/\/fundaciomacba.es\/en\/obres\/so-different-and-yet-1980\/\">So Different&#8230;and Yet, 1980<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/fundaciomacba.es\/en\/obres\/so-different-and-yet-1980\/embed\/#?secret=s31zf3gzax\" width=\"600\" height=\"338\" title=\"&#8220;So Different&#8230;and Yet, 1980&#8221; &#8212; Fundaci\u00f3 MACBA\" data-secret=\"s31zf3gzax\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/fundaciomacba.es\/wp\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/fundaciomacba.es\/wp-content\/uploads\/2021\/06\/2752-JPG.jpg","thumbnail_width":1920,"thumbnail_height":1331,"description":"James Coleman (Ballaghaderreen, Ireland, 1941) tackles questions that have to do with reality, perception and the importance of social stereotypes in the construction of identity. His main interest lies in the dialogue between the act of looking, the thing that is looked at, and our construction of the image. In the early seventies Coleman turned his back on painting and began working with new media (video, film, projected images, photography and pre-recorded sound) and performance, eventually specialising in multiple slide projections with synchronised audio narration. His installations are like theatrical scenes that entrap spectators in a web of impressions and..."}