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https://fundaciomacba.es/wp-content/uploads/2021/06/boltanski-.jpeg949700This sculpture is composed of metal boxes that imitate aged, archival storage containers, stacked to form a narrow corridor topped by office lamps. Each box bears a photograph depicting a man or woman, assembled by the artist from obituaries in Swiss newspapers. Boltanski has frequently created structures of near identical repeated elements to suggest an almost infinite archive of the dead. The sculpture evokes the mundane bureaucracies of mortality, the contrast between the institutional and personal, between memory and forgetting. Boltanski has remarked: ‘There is nothing more normal than a Swiss person… so all these dead people are only all...